
‘MACHINE’S SONG’ is the latest installment of music and sound from multi-instrumentalist/composer Robert Stillman. The album presents Stillman’s self-described ‘archaeo-futuristic’ sound in all of its ragged glory: a varied musical territory of fairground organs, marching band percussion, piano rags, and ticking mechanical music, all in various states of construction/deconstruction. Bearing audible influences of Kurt Weill, [...]